the problem with letting Reese Witherspoon through the door

We could talk about the roof or the basement but I choose the easy route.

Remember kids this is a high code day, I'm both in uniform and I'm badged.

So I usually wake up with a line of tracks and I stick with that line and today being such a high-performance day I almost always stay on track.

Today's different, I've had a significant track shift.

Now I need to back up and explain, essentially Billy Preston jumped inside of my head and we have this nothing from nothing leaves nothing.

This is not in keeping with my personality and my normal train of thought.

However it is in keeping with the coded dialect, here's what I mean, it could have to do with charitable giving, the dynamics of hunger, forgetting about black people, and an array of other dynamics.

I've tried to figure out why and I have some idea or shall I say ideas on why.

It could have something do with jumping Jack flash.

If it does though we've got all kinds of sticks and stones to throw.

That opens up quite a dialogue indeed and we've changed from a like code into a highly complex code.

You seem I said if you understand jumping Jack flash them were talking about fuel because that's the nature of the thing and the 500 is it full fuel and I am at full fuel so therefore fuels somewhere else or needed somewhere else. Or if were in the middle of sticks and stones and remembering Billy and charitable giving you were all the sudden in a different place on the map altogether and we might find yourself or ourselves inside of a Rolls-Royce. If that happens, beware my brother beware!

Then of course we've got other let's shake Rattle and roll dynamics if we make the jump and the shift around jumping jacks. That's a complex affair as well, I mean this is one complexed little reconfiguration.

__________

The Rolling Stones - Jumpin Jack Flash-HQ – YouTube https://www.youtube.com/watch?v=eQSGw0hMd_I   Artist: The Rolling Stones   Movie: Shine a Light    Released: 1970

"Jumpin' Jack Flash" is a song by English rock band the Rolling Stones, released as a single in 1968.^[3] Called "supernatural Delta blues by way of Swinging London" by Rolling Stone magazine,^[5] the song was perceived by some as the band's return to their blues roots after the psychedelia of their preceding albums, Aftermath (1966), Between the Buttons (1967), Flowers (1967) and Their Satanic Majesties Request (1967).^[6][7] One of the group's most popular and recognisable songs, it has featured in films and been covered by numerous performers, notably Aretha Franklin, Tina Turner and Johnny Winter.

Normally I would not footnote this but there's more material on page therefore you're going to have to go there to recover the material to build the cipher.

From:  https://en.wikipedia.org/wiki/Jumpin'_Jack_Flash  020616.

in 1969.[7] Originally recorded over a three-day period at Muscle Shoals Sound Studio in Muscle Shoals, Alabama from 2–4 December 1969, the song was not released until over a year later due to legal wranglings with the band's former label, though at the request of guitarist Mick Taylor, they debuted the number live during the infamous concert at Altamont on 6 December. The song was written by Jagger with Marsha Hunt in mind; Hunt was Jagger's secret girlfriend and mother of his first child Karis.

Jump Back, Jagger says, "The lyric was all to do with the dual combination of drugs and girls. This song was a very instant thing, a definite high point."